FOUR FORMATS.
ONE BRIEF.
Product storytelling, influencer + AI, UGC AI and performance ads. Every format below comes off the same brief and the same product catalog, then gets cut landscape or vertical for wherever it runs -a PDP, a paid placement or a feed. Compare all four, then take the one your channel actually needs.
Hero narrativePRODUCT STORYTELLING
Cinematic product films that frame the why, not just the what. Scene-by-scene scripts built from your catalog, paced for the scroll.
Best where the buying decision needs context -a considered purchase, an unfamiliar category, a product whose value a photo cannot argue. Scripts are built scene by scene from your own catalog copy and specs, so the film makes the case the listing is already trying to make. Runs long on a landing page and cuts down for A+ and hero banners off the same edit.
Hybrid footageINFLUENCER + AI
Real influencer footage stitched with AI-generated B-roll and product inserts. The authenticity of a creator, the scale of a render farm.
Starts from footage a creator has already shot, then extends it -product inserts, B-roll and alternate openings generated to match the grade and the framing of the original. One shoot becomes a run of variants you can whitelist and keep spending against, instead of a single post that decays a week after it goes up.
Native, at scaleUGC AI
Fully synthetic user-generated content that reads as real. Faces, voices and rooms generated per audience -thousands of variants overnight.
For the feeds where polish reads as an ad. Faces, voices, rooms and props are generated per audience, so the same product claim can arrive from a different person in a different setting for every segment you are buying -and be regenerated the moment a variant fatigues, without rebooking anyone or reshooting anything.
Built to convertADS
Performance-first ad cuts in every aspect ratio and length. Hook variants, captions and end-cards tuned for paid social and retail media.
Built backwards from the placement. Every cut ships in the aspect ratios and durations the buy actually calls for, with alternate hooks at the top, burned-in captions for sound-off viewing, and end-cards that swap per offer. These are made to be tested against each other, which is why they arrive as a set rather than as a film.
WANT PRODUCT STORYTELLING LIKE THIS?
Submit a brief and get production-ready videos in this format for your own catalog.
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